George Tice

George Tice at 70: From Gallery 270

George Tice Amish Collection: From After Image Gallery

From The J. Paul Getty Museum:

Tice was born and raised in Newark, New Jersey--the state in which his ancestors had settled generations earlier. At fourteen, he joined a camera club. A turning point in his self-training happened two years later, when a professional photographer critiquing club members' work praised his picture of an alleyway. Tice briefly studied commercial photography at Newark Vocational and Technical High School; he then joined the Navy. A published image he made of an explosion aboard an American ship caught the eye of photographer Edward Steichen, who purchased it for The Museum of Modern Art. For about a decade, Tice worked as a portrait photographer and helped establish a gallery. That success enabled him to concentrate on personal projects.

In the 1960s, Tice shifted from smaller camera formats to larger ones, which enabled him to craft carefully toned and detailed prints. He portrayed traditional Amish and Shaker communities, as well as the hard lives of fishermen in Maine. In the 1970s, Tice began exploring his home state. Those photographs formed the beginnings of his Urban Landscapes series, which he worked on until the year 2000. His publications include: Fields of Peace: A Pennsylvania German Album (1970), Paterson, New Jersey (1972), Seacoast Maine: People and Places (1973), Urban Landscapes: A New Jersey Portrait (1975), and Hometowns: An American Pilgrimage (1988). Tice has taught at the Maine Photographic Workshops since 1977.

David Octavius Hill

David Octavius Hill

From Answers.com:

Scottish photographers. David Octavius Hill (b. 1802, Perth, Perthshire, Scot. — d. May 17, 1870, Newington, near Edinburgh), originally a painter, was a founding member of the Royal Scottish Academy and its secretary for 40 years. In 1843 he enlisted the help of Robert Adamson (b. 1821, Berunside, Scot. — d. January 1848, St. Andrews), a chemist experienced in photography, in photographing the delegates to the founding convention of the Free Church of Scotland. They used the calotype process, by which an image was developed from a paper negative. In these and other portraits they demonstrated a masterly sense of form and composition and a dramatic use of light and shade. Their five-year partnership resulted in some 3,000 photographs, including many views of Edinburgh and small fishing villages. Before Adamson died at age 27, they produced some of the greatest photographic portraits of the 19th century.

Aaron Siskind

The Aaron Siskind Foundation

Museum of Contemporary Photography: Aaron Siskind Collection

From the Museum of Contemporary Photography:

Aaron Siskind was born on December 4, 1903 in New York. He was the son of Russian Jewish immigrants and the fifth of six children. After receiving his Bachelor of Social Science degree from College of the City of New York in 1926, he went on to teach high school English for 21 years in the New York public school system. His first loves were music and poetry, but he took an interest in photography in 1930 (when he received his first camera as a going-away present before his honeymoon trip to Bermuda), and began his photography career as a documentarian in the New York Photo League in 1932. From 1936 to 1940 he oversaw the League’s Feature Group as they created documentary photo-essays of political import including Harlem Document, Dead End: The Bowery, Portrait of a Tenement, and St. Joseph’s House: The Catholic Worker Movement. In the early 1940s, his work shifted to the abstract and metaphoric as Siskind cultivated friendships with such Abstract Expressionists as Franz Kline, Barrett Newman, Adolph Gottlieb, and Mark Rothko, and began to exhibit work at the Charles Egan Gallery (which specialized in Abstract Expressionism).

On the invitation of Harry Callahan, Siskind joined the faculty of the Institute of Design in Chicago in 1951, taking over as head of the photography program when Callahan left in 1961. In 1963 he helped found the Society for Photographic Education. Siskind and Callahan, famous for their synergy as professors and photographers, were reunited beginning in 1971 when Siskind left the Institute of Design for the Rhode Island School of Design where Callahan was a professor and Siskind continued to teach until his retirement in 1976. Siskind traveled broadly, in particular making multiple trips to Mexico and Italy, including a period spent in Rome during his 1966 John Simon Guggenheim Memorial Fellowship. Siskind died in Providence, Rhode Island on February 11, 1991 at the age of 87. The Aaron Siskind Centennial Celebration took place during 2003/2004 with exhibitions at more than a dozen institutions across the country, including the Museum of Contemporary Photography, each devoted to a different period or theme of the photographer’s life and work.